300: Rise of the Empire Noam Muro Director Eva Green Sullivan Stapleton Rodrigo Santo Lolina Headey 2014 US Review 1 Plot Sparta King Leonidas, Athenian naval commander Themistocles, led by Sullivan, defend the 300 force against the Persian army of Xerxes.

Stapleton joins other Greek city-states.

A plan to stop the Persian navy at sea. At the same time, the Persian army, led by Artemisia, with Eva Green on a vast front, comes out determined to take revenge on Greece, and now the climax of the Second Persian War unfolds like this.

Comment 2: Since the previous film made such an impact, there was also some anticipation for the sequel. Money and technology can do great things, but how did the naval battle in the early and middle parts of the season portray the latter half of the Battle of Salamis?

It made me look forward to it, but it was not possible to create such an epic scene as expected.

The time spent depicting it is relatively short. Unlike literature and combat, it can clearly capture the lively appeal of hand-to-hand combat from tightly tense muscles, and naval battles must be depicted from a slightly different position. The field of view changed, but not by much.

It is an inevitable ground battle, but the director is committed to depicting brutal killing scenes in a more exaggerated way, with bloodstains, stabbings, and piercings.

Of course. When is war beautiful? Seeing him draw so many of these scenes, it feels like watching a gore movie.

Of course, after watching these films, I thought it would be good to turn our old stories into works of this level.

Most of our ancient records have been damaged, so there are limits, but in fact Western records are not like that.

The rich part. The problem is imagination, and certainly the creative ability that is in style right now.

And I think the recent capital also made a similar attempt.

At least in visual terms, the film feels fresh.

If you try to portray the opponent as evil, there is an essential and clear limit to unconditionally glorifying allied or nationalist totalitarian ideology.